POST 31
By Darrell J Banks
CR 2014,2005
NICOLE
KIDMAN
This is a
past article I wrote while the roles Hollywood has written for her have slowed
down since I wrote t
his article, little Nicky is about to break out again as
Grace Kelly.
The Actress Nicole Kidman and writing for her.
By Darrell J. Banks
Copy Right 2005
All Rights Reserved
Perhaps it=s pretentious to presume one can write for
an actress you have never spoken too. Pretentious to imagine and dream that you
the writer can develop a screenplay for a box office smash. But that is the
premise of this article. Unless one is married or divorced from an actress such
as Sandra Oh, one needs a muse to create inspiration for an actress such as
Nicole. Having once seen Ms. Kidman live and in person, the shyness, the demur
quality and yes the beauty is inspiration to type well. Yet, the roles she has selected over the past
ten years are idiomatic. Nicole searches for a script with a remembrance of
past characters.
Recently, I also saw a photograph of Nicole Kidman with
Lauren Bacall. Back in the forties Lauren looked very much like the current
Nicole. Then, Ms. Bacall played the smoky, vixen, good girl. Yet her characters
were driven to the bad guy. Never to forget a sequel Hollywood grabbed Nicole
Kidman from Australia to perfect the vixen role for the past ten years.
Surprisingly, in a recent article Ms. Bacall, was quoted by the BBC that today=s actors are A of minuscule talent.@ A slur perhaps. Yet,
those who write for Nicole Kidman would find this quote abhorrent.
Symbolic of Marilyn Monroe with a brain Kidman plays the
prevailing dumb blonde to perfection in A The Stepford Wives.@ This role continues
in the pending A Bewitched.@
As a screenwriter, one rarely writes for the same actress
over and over again. For, unlike the studio,
system of days gone by the writer sits on the sidelines as the studio revolving
door of redheads, blondes, and brunettes twirl by. Inspired by the similar
roles your dialog may ensnare the synapses of some busy actress. Hopefully it’s
Ms. Kidman who remains busy with four films per year, while many other Oscar
winners, the Roberts, Tomei=s etc. select less work each year.
Ms. Kidman has chosen roles
that Meryl Streep in her prime may have declined. Yet, like Bacall and Streep,
the role of the abused blonde is predominant in Hollywood cinema.
The Films
The early Kidman films, AEyes Wide Shut@ and ATo Die for@ feature the good girl turned bad. That is the marketing
premise but the writers of these movies, Stanley Kubrick and Buck Henry
respectively are no slouches, and they use a three-act structure to expand the
role of the dumb blonde. In Kubrick=s film the wife is the backdrop yet she controls the flow of
the movie. Tom Cruise is the featured
protagonist. As the subtle antagonist
Kidman beguiles Tom into what she wants, and his eyes are wide shut to the
manipulation.
In ATo Die For@she played the protagonist spinning a
web around her husband once again.
Who would suspect the weather girl? Why would you? Ms. Kidman
continued this theme in ADogville@ Never one to shy from
the sexual provocateur role Ms. Kidman perfected this vixen role with a
vengeance. Like Barbara Stanwyck in ADouble Indemnity,@ she earns her revenge.
In A DogVille@ Nicole is passed from man to man, a fitting pawn of the town=s paternal system. Yet, her character has a self-inflicted wound;
she has chosen sexual abuse over her role as the gangster=s daughter. Abused, yet willing, she accepts the towns’= rapes for more than two hours. Ironically Ms Bacall starred
in ADogville@with Ms. Kidman Why is Nicole afraid?
Why would a town seek to protect her and destroy her?
As a screenwriter reviewing this trend in roles, one should
steer Nicole away from the abused vixen. Yet, Ms. Kidman has selected this role
once again in A The Interpreter.@ Perhaps market share?
In the same April 5, 2005 article (BBC UK) Lauren Bacall
cited the lack of acting skills of today=s stars. . When Ms. Bacall starred in the pictures A Key Largo@ and
A Sex and the Single Girl@ sex was different or so we are lead to believe by today’s= censors.
So, as a screenwriter
choose to expand the sex vixen=s role. For that is the ultimate
quest. Like fried chicken today=s actresses are packaged and ready to
go. Select one, and then dilute the bad stuff for a long and prosperous career.
Until next month when we cover the actors Tom and Laurence and break them out
of the cracker jack box. Ciao.
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