Post 32
By
Darrell J Banks
CR 2014
What can you learn from Cary Grant and Leonardo DiCaprio in choosing a
great character for a screenplay? Well, my favorite movies with Cary Grant are North-by-North
West, Arsenic and Old lace.
These scripts can be found at drewscriptorama (fair use). Grant v DiCaprio, similar styles, smooth
talking ladies man. This is no more expected then in the Aviator. While I am
trying to find a copy of Gangs of New York, where Leonardo woos Cameron Diaz,
in the Aviator DiCaprio, as Howard Hughes is a true player bred to find love in
all the wrong places. What did Cary and Leonardo do right in both films they remain focused on
their characters, they became their characters as Arsenic and Old Lace or in
North By North West (found a copy at the library (TODAY)
Below is a review I wrote a few years ago. Next up a review of Leonardo
Di Caprio’s character creation.
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North by Northwest- A movie review
By Darrell j Banks
CR 2011 All Rights Reserved Worldwide
I bought several books on Hitchcock one with pictures one by a movie
critic. I learned a few things. I’ve
always enjoyed Hitchcock he stars in his own pictures as a standby and creates
tension out of normalcy. This film has
always been a favorite.
Hitch shows New York. A man (Grant/Roger) talking to his secretary on his
way to an important meeting. Extras weave in and out, as they walk down a busy
NY street. Then bam, the acting starts
he steals a taxi, saying his assistant is sick. Plays, phones, a pending
business meeting. A message waiter calls for a Mr. Kaplan and Roger informs him
he needs to deliver a message for an attentive mother.
He gets up and is shanghaied to the NY country side. Thought to be a spy
the antagonists try to dispose of him by drunk driving. This is where the fun
begins for eventually Roger will meet up with an attractive woman Eva Marie
Saint. Back then words jumps off the page like sex at a strip club. “Every time
I see an attractive woman I want to make love with her. “ Eve is 26 unmarried
and industrial designer who has tipped the bus men she wants to dine with a
killer with a nice face and she wants sex. The train continues to Chicago. Eva holds his
hand and blows out a match. Like his other films, Hitch uses libido to induce
the audience into the twists and turns of this thriller. Eve has a large drawing
room and doesn’t mind sleeping with a suspected killer. The police have stopped
the train and Roger is packed in like a sardine, the police have questions for
her and one still wonders does she work for the defense intelligence agency. I mean so far the film has been normal,
uninvited house guests, local judges, and hotel rooms. But spies?
Back in the day they didn’t show true love. Eve wants him to stay in his
hotel room. She’s a big girl though he’s about sixty. One wonders if she is aware that Gary Grant
could never be a murderer. Eve doesn’t want to know much except like today’s “Madmen”
he’s in advertising as Act 2 ends the action pauses. The porter cleans; Eve
sings a child song, lights out.
Act 3 North by North West had it’s times restrictions and the noir genre requires
pass a note to the agency. She won’t sleep with him but she has him in her
grasps. It appears the Defense Intelligence
Agency is not so cruel. In Chicago the trains pull into the station now a days.
(To view that beautiful bldg. rent The Untouchables Kevin Costner). Roger carries her bags and they hide from the
police as two spies follow them. The police search for porters with red hats
and walk right past Roger shaving. Phone banks are shown as Eve and the bad guys
plot their next move. I miss those shots
in movies. Since Collin Farrell starred in Cellular the phone booth has disappeared
and now we get texting (Contagion) or emails shown on the screen. It’s not as
interesting as a phone booth where all kinds of interesting things happen (Superman).Like
in most of his films Hitch sets us up. Deserted plowed field finds Gary Grant
in grey flannel awaiting his destiny. Cars zoom by and the stereo effect sounds
like a plane. A man (Kaplan) gets out for a planned meeting. The man notices
crop dusting (pretext) where there are no crops and Hollywood history is
created. In film people are killed by knifes
guns, cars, sharks etc. But rarely does
a crop duster try to take you out.
Roger/Cary ducks, his suit soiled, bullets fly, and he must find and
escape route. A car zooms by. Once surrounded by technology he finds himself
alone against the machine. He flees back to the nature (a cornfield for
safety).But the machine always welcomes you and then tries to destroy you.
Chemicals are dropped and he flees for an approaching truck, which almost runs
him over. The plane crashes into a symbolic fuel tank. (Man doomed trying to
feed himself, and maintain a future). Roger
steals a truck with a refrigerator (symbolism again). He finds himself back in Chicago looking for
answers. He blows a spy’s cover and we find that Eve has been played as well as
Roger who must once again play a corpse.
He pushes Eve into feelings she cannot utilize and the bidding between
the neutral, good and evil concludes with a trip South Dakota. Hitch uses violins to ratchet up the tension. Roger creates a scene calling an auctioneer,
idiot, creating a fight. One thing I
like about spy thrillers is that you see old signs North West Orient (Delta) Love
blooms, and a story t must conclude. Truth,
innuendo, usually ends with a bullet. Leonard finds an old Gestapo trick,
planes arrive and a choice must be made. Symbolism, verses reality. The good
and the bad climb over the founding fathers and with a house divided one must
survive to find true victory. I hope you rent this film and enjoy it. If only
the WB would release it to the theaters again. Ciao.